Robert Haselbacher,
freelance designer, based in Berlin

Samples

The title 'BEETHOVEN MOVES' is prominently displayed in all caps on the right side of a book cover. Dark blue type on a salmon-colored background. On the first page, to the left and partially hidden by the flap, a glimpse of the table of contents with small thumbnails is visible.

Beethoven Moves, Kunsthistorisches Museum Vienna, polyform

Painting of a man in a red rope looking up to the sky. Light braking through the clouds.

Beethoven Moves, Kunsthistorisches Museum Vienna, polyform

The logo of the city of Stade, a combination of the letter 'S' and an anchor, is displayed in white against a background photo of the city's picturesque historic harbor. The harbor is bustling with lively cafes that surround the water.

Beethoven Moves, Kunsthistorisches Museum Vienna, polyform

Ideologien des Brennstoffzeitalters, die Fotos, Freunde & Friends

An open black book reveals a view of its thick open spine binding. On the first page, part of an image is visible: a black and white photo depicting a smiling man being scanned with handheld devices by two other men.

Ideologien des Brennstoffzeitalters, die Fotos, Freunde & Friends

An opend book featuring a red folded flap on the left side. In the upper left corner, the name 'Van Alen' is visible, while the lower left corner displays the word 'Institute.' On the first page, the words 'Fellowship,' 'at,' 'Van,' and 'Alen' are tucked into the corners. These words share the same color as the paper of the flap on the left: a bright, cool red.

Fellowship at Van Alen, Bruce Mau Design

An iPad displaying a German website for law firm 16. K16 logo in the upper left corner, navigation on the right.  Below the names and areas of practice of the lawyers.

Kanzlei 16, ("Law Firm 16")

A collage book with an almost empty double-page spread. Glued onto it are empty pieces from other pages, with several page numbers as the only text visible.

Page numbers

Close-up of an emergency documentation form. On a green background. The form includes fields for name, address, birth date, and checkboxes for Einsatzzeiten (operation times) and Atemwege (airways). The logo of the Tyrolean Mountain Rescue Service is visible in the top left corner.

Patientenprotokoll / Patient documentation form, Bergrettung Tirol

Album cover, the record has been partially removed. The cover features a collaged illustration of a screaming woman's head. The artist's name, Cavaan, is written at the top centre above the illustration. The handwritten title Black Snow is in the lower right corner.

Treat your DJ right. Cavaan, Black Snow.

Two-page spread from a copy magazine. Full-bleed, semi-abstract image of a mountain topography, printed in red. The magazine is standing on a dark table. Neutral light green background.

Die Schweiz. With Veronika Aumann.

Posters on a brick wall. Passers-by. The posters are brightly colored and feature geometric elements. The letters FARB are placed in one corner on a flat element that suggests a three-dimensional shape protruding into the poster. The central poster is titled “Kirchner Zeichnet” (Kirchner draws).

FARB, polyform

A vibrant pattern of colorful business cards, most of them with the FARB logotype in a contrasting color in one corner. Some cards reveal their backsides, displaying contact information in a clean, sans-serif font.

FARB, polyform

The logo of the city of Stade, a combination of the letter 'S' and an anchor, is displayed in white against a background photo of the city's picturesque historic harbor. The harbor is bustling with lively cafes that surround the water.

Hansestadt Stade, city brand, polyform

White box wagon from the side, blue Hansestadt Stade logo on the door.

Hansestadt Stade, city brand, polyform

Fly posting on a wall. A colorful series of Pride Toronto posters. Vibrant collages of faces. Semi abstract. The word pride in a serif font in the center of each poster. Dates and other information in the corners. A person is passing by.

Pride Toronto, Bruce Mau Design

The word ‘like’ is written in huge, brutalist blackletter script across a white double page, with fine guide lines still visible. The ink looks still wet.

Not liking it

Backlit City Light poster in a pedestrian underpass. The poster shows the title “International Mountain Rescue Doctors Conference and November Congress Innsbruck.” A silhouette-like collage in the form of mountain ranges, which included the famous “Frau Hitt” above Innsbruck, shows two images: on the left, in red: two mountain rescuers carry an alpine rescue stretcher down a hiking trail; on the right: a yellow helicopter with a rescuer on a rope flies between mountains.

International mountain rescue conference, Bergrettung Tirol

An open page of a German language textbook reveals visible text and mathematical formulas.

Deutsch für Ingenieure, Springer Nature

The word 'monde' in a simple gothic stencil font, screen-printed on a cheesy gift wrap with warm-colored angels holding candles.

Monde

Welcome

Hi, I’m Robert. Welcome to Chez Haselbacher – a brief introduction to my work as a communication designer.

For over 15 years, I’ve helped people, institutions, and companies communicate with intention – turning complex information into clear and engaging experiences.
Most of my design career has been centered around brand design, a field that naturally spans many channels – from digital experiences and UX to physical spaces and print. I believe every project, whether a complex digital product or a classic book, begins with asking the right questions and defining a clear process.
I've worked both freelance and in-house with design studios in Toronto, Munich, and Berlin, serving a wide range of clients from small non-profits to large corporations.

I’m in Berlin and open for freelance work. Feel free to get in touch.

Communication design?

  • What Is Communication Design?

    Communication design is the practice of shaping how information is shared and understood. It blends graphic design, strategy, and storytelling to help messages connect with their intended audience – whether in print, digital spaces, environments, or everyday objects.

  • Why Good Design Matters

    Design is everywhere – even when we don’t notice it. If you can’t find the restroom in a museum, struggle to use an app, or decide against buying a book because the paper doesn’t feel right – that’s all the result of poor design choices.
    We rely on signs, screens, and other media to find our way, connect with others, and learn. Face-to-face communication makes up only a small part of our daily interactions (34 minutes per day in the US in 2023). Good design helps us understand, interact, and feel at home in our increasingly digital and mediated world.

  • The Responsibility of Design

    I believe all human communication is political because it’s connected to how we live and make decisions together. Design can build trust and inform – or it can mislead. While the same moral principles apply to everyone, in my opinion, designers have a greater responsibility due to their expertise, the potential reach of their work, and the way design naturally influences our subconscious.

  • A Collaborative Approach

    Having artistic talent and technical skills is important, but good communication design is also about the process, the team, and building strong relationships.
    More than just visual appeal, communication design is a discipline rooted in strategy and research. The process doesn’t start with pixels and fonts, but with questions and curiosity: Who is the audience? What is the core message we need to convey? What context are they in? Answering these questions through careful research builds the strategic foundation for any project. This approach ensures the final design is not only beautiful but also purposeful, creating a clear and meaningful connection between the message and its audience.

Contact


hello@chezhaselbacher.com

+49 (0)30 62932078

Mollstr. 1
10178 Berlin